Blog Archives

HET PAROOL / PS

Herons of Amsterdam

This is an editorial illustration assignment for the Dutch newspaper Het Parool and their weekly magazine PS. The illustrations accompany the article Vlegels met Vleugels by Caroline ten Kate, exploring an unexpected shift in the behaviour of one of Amsterdam’s most familiar residents: the heron.

If you have ever visited Amsterdam, you might have noticed them: tall, grey, slightly awkward birds standing on sidewalks, looking straight at you as if they belong there. That presence feels typical of the city now, but it is actually quite recent and unique. In most other places, herons remain much more reserved.

The article dives into this shift. For centuries, herons were shy and almost invisible. Then, around the 1970s, Amsterdam’s herons began to change. Not in numbers, but in attitude. They stopped migrating in winter, settled in large colonies in city parks, and started appearing throughout the city. Some even wait near fish stalls as if they are regular customers.

Translating that transformation into illustrations was an absolute joy. From their shy arrival in the city to their transformation into a real Amsterdam local, I focused on their attitude and presence. There is something almost human in the way they sit and observe, with their hair slicked back, simply hanging out on a typical Amsterdam street pole, known as an “Amsterdammertje”.


WOMEN IN ART

Logo Women in Art

Diptych:  Takeoff  |  Submerge

These two illustrations were created for Women in Art 2024, where twenty-four female artists were invited to create a diptych inspired by a female artist important to the art world.

My diptych is an ode to photographer Diana Blok, who I assisted when I studied photography, before I became an illustrator. Inspired by the mythology and shapes in her work and by her as a person, I created these two illustrations.

In Takeoff, her hair transforms into a white swan, symbolising feminine beauty and strength. Submerge shows a deep dive towards the sun, where her bubbles turn into flowers, leaving a blooming trail.

The work was exhibited in De Hallen, Amsterdam and outside on Mercatorplein and in Westerpark, also Amsterdam (2024). Beyond its artistic impact, this exhibition also supported a meaningful cause: 15% of proceeds from the print sale were donated to Woman Inc, helping to promote gender equality in the art sector.


VETSCIENCE

Logo Universiteit Utrecht

Column Vetscience

This is an ongoing collaboration that started in 2025: a column in the magazine Vetscience. For this editorial illustration project, I collaborate with animal behaviour scientist Claudia Vinke, creating illustrations for a series of articles that explore curious questions about animal behaviour, including whether animals get drunk, grieve, or are capable of making medicine.

Vetscience is a publication by Utrecht University, the only institution in the Netherlands where you can study to become a veterinarian. The magazine shares accessible and engaging insights into animal science, translating academic research into stories for a wider audience.

What makes these articles so interesting is the way they explore animals through a human lens: how alike are we actually? In many cases, the answer is closer than you might expect: animals can grieve and some even appear to seek out intoxication on purpose. I translate Claudia Vinke’s insights into illustrations, bringing humor and a sense of wonder to the stories.


DÂKHOAS

Logo Onze Eigendom Utrecht

Dâkhoas

This illustration was created as part of the Tegel voor de Dom project, a tribute to Utrecht’s landmark: the Dom Tower. Nothing better than a lazy sunny afternoon in your own city, admiring the Dom, right? Dâkhoas is a typical Utrecht dialect word that translates to “rooftop hare”, meaning a cat.

For this project, Stichting Utrechts Eigendom invited thirty local artists to create their own personal tribute to the Dom Tower. The result was a diverse series of ceramic tiles, each reflecting a different story and perspective. The tiles were presented in the Domkerk in 2024, celebrating the completion of the tower’s restoration.

Subsequently, the collection was exhibited at Kunstliefde. From the series, five favorite designs were selected for the Utrecht Winkel on Domplein, including my Dâkhoas. A small version of this tile is currently available for purchase there.


CIRCLES

Logo Jason Waterfalls

Circles

This illustration was commissioned by rockband Jason Waterfalls for their song Circles, as part of their album The Great Masquerade. Six artists were invited to each interpret a different track, with a simple brief: draw inspiration from the music, work in a square format, and use mainly black and red.

The artworks were celebrated with an exhibition and album release at music venue Ekko in Utrecht (NL). This illustration turned out to be a fan favorite. Couldn’t be more excited! What an awesome artistic collaboration.

My concept reflects the elusiveness of the world, the repetition of life and the pressure to perform. I started by listening closely to the lyrics, noting what stood out, building a moodboard, and sketching before arriving at this final image. A space monkey going around in circles, like a ballerina. Not confined to a box, but emerging from an anemone also known as ‘the windflower’.


KAFKA

Kafka on the Shore

“It rained sardines and mackerels that day.”

This illustration is inspired by Haruki Murakami’s novel, in particular the character of Mr. Nakata, who left a lasting impression. Although not the main protagonist, he is an elderly man who, after a mysterious childhood incident, loses the ability to read and write but gains the ability to speak with cats.

Nakata moves through the world with quiet kindness and an almost instinctive understanding of things he cannot quite explain. After a dark encounter that results in the death of a cat, he tells a policeman that it will rain fish the next day. Sardines and mackerels to be exact. And then, somehow, it does.

This is a mockup book cover for Kafka on the Shore by Haruki Murakami, created to explore how the novel could be visually translated. Alongside the final illustration, I also included early sketches and studies of values and backdrops to show the process behind the image.

Sketches cover illustration Haruki Murikami

GLAD TO BE HOME

Glad to be Home

This is an ongoing series, a personal project that I started during the pandemic, when we all suddenly found ourselves spending much more time indoors. The project is still continuing today, focusing on small, intimate moments spent alone at home.

In this series, the home becomes a place of comfort, with walls and interiors almost gently embracing the people within them. Moments unfold slowly: a warm bath while rain taps against the window, doing a puzzle in your robe with a record playing in the background, or feeling the heat of a radiator while a sleeping dog rests against your skin. There is snacking without guilt, dreaming of faraway places, or simply the quiet relief of being safely away from the storm on the other side of the door. Sometimes, it’s just really good to be home.

Illustration of a captain in a bathtub and a girl snacking in a onesie.
Illustration of a girl with a wolf and boy puzzling with cats
Exhibition in bibliotheek Zuilen Utrecht
framed black and white illustrations Glad to be Home
Framed art print of illustration of a captain in a bathtub
Exhibition in coffee place Black Brew Utrecht
Archive black and white illustrations Glad to be Home

STONES

Stones with a Name

A picture book about death, for children.

This is a self-published children’s picture book, written and designed by Yorrick Mentink, brought to life through my illustrations. The book grew out of conversations the author had with his young children, when he realised how difficult it was to find a book that explains death, dying and graves in a direct and honest way, as opposed to more symbolic descriptions. From that need, he initiated this project and requested illustrations that hold space for both grief and life.

Stones with a Name approaches this profound subject through a lens of wonder and adventure. The story follows a father bear and his son cycling past a graveyard, quietly exploring the questions that arise along the way, with curiosity and warmth.

illustration of crocodile with tombstones as teeth
illustration of father and son on bicycle with flying birds
illustration of kid bear binoculars watching graves mountains
picture book illustration about death

113

Logo 113 Zelfmoord Preventie

Flight

This was one of those projects where every stroke carries meaning. I had the honor of creating this illustration for the suicide prevention helpline, 113 Zelfmoordpreventie, as a thank-you to their volunteers.

These are the people who listen and offer light when the world feels impossibly heavy. How do you capture that in a single image? The green woodpecker became the answer: laser-focused vision, offering a new perspective beyond the dense forest. Grounded on steady legs, yet ready to take flight. Its bright red tail a quiet nod to the hero’s cape they wear when they’re answering the helpline.

My aim was to balance warmth, strength and hope, without losing sight of the weight of their work. I’ve included my mood board and sketches, as well as the final postcard that was sent to the volunteers, as a small reminder of the impact they make.


PRODUCTS

Products

What happens when illustration becomes part of the objects around us? These mockups show my artwork on cans, matchboxes and game boxes, each creating its own mood and narrative. They reflect the kind of projects I’m excited to explore further, like the board game industry and consumer goods, where illustration becomes part of everyday objects and shared experiences.

illustration fish squid beer can ipa
illustration board game sliding penguin
illustration matchboxes product design cat owl lizard dog

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